The subject is the woman in the attached reference photo. Recreate her exact facial identity from its features — the same hairline, hairstyle, volume and texture, brow shape, eye shape and spacing, nose structure, lip shape, jawline and cheek structure, skin tone, and natural facial proportions — so she is unmistakably the same person. The reference photo's own lighting, background and clothing are entirely discarded. BLACK AND GOLD EVENING. A tonal black world: flat rich near-black background, and she wears a black saree drawn with a scattered tiny gold-dot motif and a sleek black blouse. The single hook: gold as the only light — jhumkas, a slim necklace, a thin bangle line and the saree's gold dots glowing as crisp bright shapes against the tonal dark, her face softly dimensional and clearly the brightest thing in the image. Her hair is straight and open, drawn in long clean lines. She looks at the viewer with calm elegant confidence, one hand resting on her opposite arm below the frame's centre, fingers relaxed. The dark field stays dimmer than her face at all times. Camera framing equivalent to an 85mm portrait, chest-up. Palette: rich black, glowing gold, warm skin. A premium flat vector illustration — not a photograph and not a 3D render: smooth clean colour fields with soft cel shading, crisp confident edges, no gradients banding, no outlines except where the drawing needs them, and the hair drawn with fine flowing individual strand linework that carries real volume and movement. The facial features survive the stylisation exactly — the same eyes, brows, nose, lips, jawline and proportions as the reference at all times — with the face carrying the most detail and the most careful shading in the whole image, softly dimensional against the flatter cloth and background so it reads sharpest. Fabric patterns are drawn as clean repeated motifs. The background is one perfectly flat colour with no texture and no scenery. Vertical 9:16 portrait composed for an Instagram story, WhatsApp status and profile picture: the face large and high in the frame, the tonal colour world unmistakable at a glance, and the composition still holding when cropped square. No readable text anywhere — no words, no letters, no numbers, no logos, no brands.